Natsiaa 2022: Indigenous artist Rarru wins first prize with hand-woven sail

A “monumental” hand-woven pandanus sail symbolising the centuries-long relationship between Yolngu of Arnhem Land and their Macassan neighbours in Indonesia, has taken out first prize within the prestigious Nationwide Aboriginal and Torres Strait Islander artwork awards (Natsiaa).

Margaret Rarru Garrawurra, a senior Yolngu artist from Lanarra in Arnhem Land, created the beautiful 2.8m-high hand-woven pandanus sail over a number of months of day by day work.

Garrawurra, who received the bark portray award in 2005, mentioned she is “proud and completely happy” to win the primary prize of $100,000 for Dhomala (pandanus sail), which is about her cultural identification and connection to her father, in addition to the historic relationships that endure between Yolngu individuals and the Macassans.

A 2.8m-high hand-woven pandanus sail hangs in an open plan gallery space
The successful 2.8m-high hand-woven pandanus sail on show in Darwin. Photograph: Mark Sherwood/MAGNT

“I used to be with my sisters after I discovered about successful. We had been very completely happy. It makes us proud to get first prize,” Garrawurra, referred to as Rarru, mentioned.

“Yolngu individuals had been watching Macassan individuals weaving their dhomala over time … then they began to make them. My father picked up the ability as properly. He used to make them.

“I thought of how he made them, my father, and I began remembering. And now I’m making these.”

The sail options stripes of distinctive black-dyed pandanus. As a senior weaver at Milingimbi arts centre, Rarru is aware of the recipe for creating the black mol (dye) she makes use of – and use of mol is reserved for her, and people to whom she provides permission.

A colourful painting by Ms D Yunupingu featuring pink flowers and some abstract figures on a large piece of cloth
Ms D Yunupingu received the bark award for her vibrant work that retells a mermaid story. Photograph: Mark Sherwood/MAGNT

Rarru mentioned the work took months to create, from amassing pandanus and dyes in July final 12 months, and weaving from October to March “each day, morning to nighttime” earlier than it was full.

The Natsiaa judges mentioned the work was “a monumental sculpture that's each majestic in scale and exacting in technical virtuosity.”

“Hers is a strong work which reminds us that Yolngu have lengthy been energetic and intrepid explorers, collaborating in worldwide commerce since properly earlier than the arrival of the Europeans,” Myles Russell Prepare dinner and Dr Joanna Barkmann, the judges, mentioned.

Winner of the work on paper was Larrakia artist Gary Lee for a fantastic portrait of his grandfather, adorned with white blooms.

The late Ms D Yunupingu from Yirrkala received the bark award for her joyous retelling of an essential mermaid story that can also be a narrative of her relationship together with her father and conventional sea nation. Ms Yunupingu, who grew to become a grasp painter like her sisters late in life, used the brilliant magenta from printer cartridges to create the background on which the ghostly mermaids sit, representing sea creatures in addition to the celebrities of the evening sky.

From Buku-Larrnggay Mulka artwork centre, Merrkiawuy Ganambarr-Stubbs accepted the award on behalf of their beloved “mermaid girl”.

“Mermaid is the spirit that exposed itself to her father, my grandfather, on Wessel Island once they had been dwelling there within the late Nineteen Thirties,” Ganambarr-Stubbs mentioned.

Ganambarr-Stubbs mentioned the portray captured Ms Yunupingu’s effervescent spirit.

“[In the painting room] you would at all times hear her throughout the room, her laughter and he or she was at all times saying, ‘Superior!’ That was her favorite phrase.

“If she was right here, that is what she would say: ‘That is superior!’”

Jimmy Thaiday, from Darnley Island, received the multimedia prize for a transferring movie in regards to the affect of local weather change on his island and a sand key close by, which is now nearly fully underwater. Thaiday mentioned the $15,000 award will assist him make extra work addressing the disaster of local weather change within the Torres Strait.

“I encourage all of the youthful era to stand up there and discuss out, in the event that they really feel helpless about local weather change,” Thaiday mentioned. “It's actually affecting our sand key, affecting breeding seasons for animals and birds, and vegetation, and our capability to go there and discuss to youthful ones about our traditions.”

An installation at Natsiaa 2022 featuring figures displayed in cases in front of poster drawings
A number of the artworks on show as a part of Natsiaa 2022. Photograph: Mark Sherwood/MAGNT

Rebekah Raymond, curator of Aboriginal artwork and materials tradition at MAGNT, mentioned there have been 63 finalists from throughout Australia, representing greater than 44 completely different nations and language teams.

“This 12 months, I’ve seen a reemergence of robust works which are made by hand in actually tactile practises – carving, ceramics, weaving – which have a good time working along with your palms in such intimate methods,” Raymond mentioned.

“Throughout Covid, life slowed down a little bit bit. For most of the artists throughout the north of this continent there was a return to homelands, and that gave them extra time to contemplate various things, to push their practise in new methods, to up the dimensions or return to one thing they’ve at all times executed.”

  • The Telstra Nationwide Aboriginal & Torres Strait Islander artwork awards(Natsiaa)exhibitionruns 6 August 2022 to fifteen January 2023 on the Museum and Artwork Gallery of the Northern Territory in Darwin. Particulars: www.natsiaa.com.au

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