The myth of Marilyn Monroe: how her ‘sex bomb’ image buries the truth

In Might, a portrait of a lady bought at public sale in New York for $195m (£157m): a report for an art work by an American artist and by any artist within the twentieth century. That month, additionally in New York, there was a furore when a costume the lady had as soon as worn was paraded on the Metropolitan Museum of Artwork gala by a actuality TV star. The robe is alleged to be “the costliest costume on this planet”; its proprietor paid practically $5m for it. To make sure its security, it's usually stored in particular circumstances in a darkened vault.

The girl within the portrait, the lady who as soon as wore the costume – to sing Comfortable Birthday to President John F Kennedy at Madison Sq. Backyard – was, after all, Marilyn Monroe. The vividly colored screen-print of her, the work of Andy Warhol, is essentially the most well-known of his works of pop artwork. Kim Kardashian, whose stunt it was to put on the Monroe costume on the Met, responded to criticism for having worn a deceased lady’s clothes by insisting, bizarrely, that she had “a lot respect” for her.

In life, Monroe made herself observed far past Hollywood and in methods very completely different from the corny “intercourse bomb” picture that's the leitmotif of her trendy iconography. Twenty years earlier than bodily train turned a fad, she went working. She learn critical literature voraciously, Dostoevsky specifically. As early as 1950, studio executives had thought it essential to warn her to not be seen studying politically radical books. Earlier than the last decade was out, Monroe would marry Arthur Miller, on the very time the playwright was being investigated for his dalliance with communism. She supported the burgeoning civil rights motion. She was a founder member of the Hollywood department of Sane, the Committee for a Sane Nuclear Coverage.

A man looks at Warhol’s vivid screenprint Shot Sage Blue Marilyn in a dim gallery
Warhol’s Shot Sage Blue Marilyn, which bought for $195m in April. Photograph: Angela Weiss/AFP/Getty Photos

But 60 years after she died, Monroe’s vivid presence on this planet’s tradition – solely Diana, Princess of Wales rivals her maintain over the general public creativeness – doesn't permit for nuance. Large sexpot avenue artwork of the star could be seen from Istanbul to Penang, Cannes to Vancouver. A silk Monroe hair scrunchie celebrating “[her] authenticity, self-acceptance and self-confidence” retails for £42. A “lifesize hyper-realistic silicone figurine statue” is a snip at £13,000.

Monroe remains to be a profitable – and helpfully mutable – asset. The Montblanc Marilyn Monroe Particular Version Pearl ballpoint pen is yours for £660. A lamp that includes Monroe with the wind blowing her skirt up is simply £148. Throughout the planet, Monroe’s options beautify every little thing from cookery books to espresso mugs, purses to ties. Innumerable Fb teams, Pinterest boards, Instagram accounts and fansites – Marilyn Remembered, Our Marilyn, Immortal Marilyn, the Irish Marilyn Monroe fanclub – are dedicated to her.

I wrote a biography of the star in 1985, looking for to penetrate the jungle of factoids about her and emerge with one thing approximate to the reality about her life and controversial demise. Since its publication, the urge for food for all issues Monroe – specifically the seamier facet of her legacy – has solely grown extra voracious. In current months, tens of millions have watched a Netflix documentary primarily based on the interviews I taped for that e book. In September, Netflix will premiere Blonde, a extremely anticipated fictional movie starring Ana de Armas.

It's billed as a “biopic” – and, by the director, Andrew Dominik, as “an emotional nightmare fairytale”. It's tailored from the novel of the identical identify by the American writer Joyce Carol Oates, which was printed in 2000. The novel, Oates wrote in a preface, was a “radically distilled ‘life’ of Marilyn Monroe”. By radically distilled, she defined, she meant that she had been extremely selective, used real-life info and characters – she credited my biography as being considered one of her major sources – however freely imagined a lot else.

In Oates’ 700-page novel, the lead character is often named as Norma Jeane, the identify Monroe was born with and recognized by till her film profession took off. Later, she is “Marilyn Monroe”. In the course of the second world warfare, the novel’s Norma Jeane works at Radio Airplane, an organization doing warfare work – and the longer term star did work at such an organization. Later, when she finds fame, she marries first “the Ex-Athlete” after which “the Playwright” – clear references to Monroe’s husbands Joe DiMaggio and Arthur Miller.

Sexual experiences, largely depressing ones, dominate Blonde – with an emphasis on the tyranny and treachery of a lot of her males. Early within the e book, Norma Jeane is raped by a Hollywood studio mogul who's allotted the identify “Mr Z”. The rape scene is graphically written, sparing no element. “Mr Z” has been interpreted as a thinly veiled reference to the founding father of Twentieth Century Fox, Darryl Zanuck. The actual-life Monroe recalled “casting sofa” intercourse encounters, however nothing suggests any of them had been with Zanuck. In interviews with nearly 700 folks, I encountered nothing to recommend that any Hollywood producer raped Monroe.

Monroe (in sequinned silver dress) with President John F Kennedy and his brother Robert, after JFK’s birthday party in 1962.
Monroe with President John F Kennedy (proper) and his brother Robert, after JFK’s party in 1962. Photograph: Cecil Stoughton/EPA

In Oates’ novel, although, essentially the most blatant historic libel targets Monroe’s 1962 involvement with “the President”. “The President”, from a vastly rich Irish-American household, is a transparent reference to Kennedy. Within the novel, the President asks peremptorily to see Monroe, has intercourse together with her repeatedly, then turns into inaccessible till “the summons” comes once more.

Monroe is flown to the White Home. There may be extra intercourse, chitchat about communist Cuba and Fidel Castro, and nonetheless extra intercourse. Again in Los Angeles, she desires that the president has made her pregnant. Then comes one other summons, one other flight east. She sings “Comfortable Birthday, Mr President” at Madison Sq. Backyard. Then, on her return to Los Angeles, desolation and demise.

Within the novel, demise comes “hurtling towards her” within the type of a person “with out ardour and with out pity”, an murderer. The person doesn't know whether or not his mission is “to guard the President from the President’s blond whore” or whether or not the actual objective is “to wreck the President for being related to the blond whore”. Utilizing a key he has been given by an individual recognized as “RF”, the murderer will get into Monroe’s home at night time when she is asleep. Then, outfitted with a syringe loaded with a deadly dose of a sleeping treatment, he “[sinks] the six-inch needle to the hilt into her coronary heart”.

Oates’ novel makes it clear that references to “the President” within the e book are to Kennedy. Furthermore, nobody would interpret her reference to “RF” as code for anybody aside from “RFK” – the president’s brother, Legal professional Normal Robert F Kennedy.

Why do I name Oates’ “fictionalised” story of dalliance with the Kennedys “historic libel”? Credible data does recommend that Kennedy dallied with Monroe. His brother Robert, analysis signifies, additionally had some kind of covert connection to her. There may be zero proof, nonetheless, that they or anybody else murdered her. Is it defensible to write down and publish this situation in a novel – not least when the people concerned are nonetheless contemporary within the reminiscence? A situation that would recommend the president’s brother aided and abetted – ordered? – homicide?

Monroe reads Michael Chekhov’s book To the Actor: On the Technique of Acting, in 1955.
Monroe reads Michael Chekhov’s e book To the Actor: On the Strategy of Performing, in 1955. Photograph: Michael Ochs Archives/Getty Photos

When Oates’ novel got here out, her defence was that, in a piece of fiction, she “had no explicit obligation” to the info. For my part, that isn't so. The folks she named in her novel had been actual folks with actual reputations – and historic legacies – and such fictional fabrication is unjustifiably merciless. The truth that the people involved are useless isn't any defence.

Will the upcoming film spin the identical story? Dominik has mentioned the movie will probably be “vital of American sacred cows”, together with Kennedy, and that “there’s one thing in it to offend everybody”. It's evident that the movie will push the bounds. Netflix reportedly insisted on hiring an editor to “curb the excesses” of the manufacturing. Even so, it has an NC-17 score, which – in concept – bars viewing by anybody 17 or underneath within the US.

Dominik doesn't mince his phrases. He says the film is what you'd need from “the NC-17 model of the Marilyn Monroe story”. He continues: “If the viewers doesn’t prefer it, that’s the viewers’s fucking downside.” Extra soberly, he claims the film wouldn't have been made with out the #MeToo motion; that it tells what it's like “to be an unloved lady, to undergo the Hollywood meat-grinder … how a childhood trauma shapes an grownup who’s break up between a private and non-private self”.

After seeing a tough reduce, Oates deemed the movie “good, very disturbing, maybe most surprisingly an totally ‘feminist’ interpretation”. Dominik has since ventured that “Blonde will probably be one of many 10 finest motion pictures ever made.”

“The size of the Monroe delusion is unattainable to measure,” Prof Sarah Churchwell has written. Extra books have been written concerning the star than about another entertainer. Greater than 20 movies already provide a fictional model of her life story. Will the approaching movie be an indulgent wallow in her intercourse life and in conspiratorial fantasising about her demise, or ship one thing worthwhile?

Clark Gable fixes a tractor tire while Monroe looks on in The Misfits.
Monroe with Clark Gable in The Misfits. Photograph: United Archives GmbH/Alamy

John Huston, who directed Monroe’s first substantial film (The Asphalt Jungle, 1950), in addition to the final one she accomplished (1961’s The Misfits), mentioned: “Individuals say Hollywood broke her coronary heart, however that's garbage – she was observant and tough-minded … In sure methods, she was very shrewd.” He added: “She went proper down into her private expertise for every little thing, reached down and pulled one thing out of herself that was distinctive … She discovered issues about womankind in herself.”

“How do you go about writing a life story?” Monroe herself puzzled throughout an interview simply earlier than she died. “As a result of the true issues not often get into circulation. It’s often the false issues … It’s laborious to know the place to start out, , if you happen to don’t begin with the reality.”

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