An underwater concert with pool noodle seats: drippy idea or splashy fun?

The line between novel and novelty might have been simply crossed final night time at Andrew (Boy) Charlton Pool at Woolloomooloo Bay. Flooring Of Heaven: Submersive Research is a forty five minute dip in a 50m out of doors saltwater pool as an ambient composition by British digital producer Leon Vynehall is broadcast on a “specialised underwater sound system”.

The ambient half is a aid: an excitable early report had described Flooring of Heaven as “a rave in one of many metropolis’s most iconic swimming pools”, whereas Sydney pageant described Vynehall as a “licensed grasp of the dance ground”. Listening to his club-inflected again catalogue, I did marvel if my fellow mellow night-swimmers would possibly find yourself being party-starved teams of 10, standing across the shallow finish with their arms within the air. And the way do you rave in a pool anyway? Seems like a whole lot of splashing. Ought to I Google goggles?

These fears are allayed on the door the place the absent DJ is quoted on a placard: “I hope to assemble one thing near a meditative state for the viewers.”

Woolloomooloo Bay has given him an excellent headstart. How have I not been to this pool earlier than, I marvel? Sydney pageant is already ticking a field by introducing its residents to spots they will come to any outdated day.

About 100 individuals drift in to sit down on the bleachers of their swimsuits and take within the view on this cool, but humid night time. A gray navy ship hulks a stone’s throw away and the lights of Woolloomooloo’s jungle of enviable residences start to flicker on.

Even the loud individuals’s voices modulate right down to a murmur, most likely as a result of the pageant isn’t bringing the excitement. There is no such thing as a pre-show DJ taking part in some “beats” – extra aid. It’s like going to a restaurant apprehensive the meals can have an excessive amount of sauce, solely to find the chef has let the standard of the elements carry the dish. Nobody wants a themed cocktail in a glass they've to recollect to return to get their deposit again, not after they’ve bought all this. I peel a sticky mangrove fig leaf off my thong as a bat flaps throughout the bay. A fingernail moon peeps out from a shroud of clouds.

And, ah, these clouds. Within the water on our backs, the sky is mottled peach and navy blue. The only pageant flourish are purple and pink lights that do magical shimmery issues to air, sky and water. There may be sufficient elemental eye sweet to ingest that you simply barely want Vynehall’s submarine sounds.

Floors Of Heaven: Submersive Study, part of Sydney Festival at Andrew (Boy) Charlton Pool
‘The music is, nicely, ambient. Good. Calming. It swells and retreats; it rustles and crackles.’ Photograph: Jacquie Manning

Then there are the pool noodles, that are allotted on entry. Some swimmers clearly grew up wrangling these goofy-ass issues and array them elegantly and with ease. One couple swiftly erects a sort of romantic crisscrossed platform.

Others make a straightforward job onerous – although, in my defence, the duty is difficult as a result of one’s ears should be beneath the water to listen to Vynehall’s tunes. Fortunately, an outdated pal instructs me to place one beneath my neck and one beneath my knees.

Good! I locomote as such for many of the gig. The music is, nicely, ambient. Good. Calming. It swells and retreats; it rustles and crackles. It ends in voices which recall to mind the final line of TS Eliot’s The Love Tune of J Alfred Prufrock: “Until human voices wake us, and we drown.” Solely nobody drowns. There are too many life-savers prowling the pool for that.

Eliot additionally wrote in Prufrock: “When the wind blows the water white and black” – additionally related. The factor is: it’s chilly. And the physique talks. Some are taken early, a trickle exiting the pool for a heat bathe. One girl powers by a lap regime in a cap and goggles; her trade irritates me out of my trance till I realise she might be simply making an attempt to remain heat. Ultimately I ditch the noodles for a full immersion as a result of the water is hotter than wind on flesh.

Unanimously, these I converse to afterwards say the identical two issues. First, they bought a bit chilly. Second, they might think about the expertise being extra blissful on a balmier night time. Nobody appears bummed. Within the aftermath, weighing-up whether or not we're content material or left wanting as we drip and shiver, it isn’t actuality and all of its everlasting shortcomings that wins. It's the hopeful little hop into imagining how this expertise might have been higher and selecting to be there as a substitute.

I gained’t bear in mind Vynehall’s soundscape; the truth is, it’s already gone. However I'll bear in mind his light Computer virus that smuggled again to us our appreciation of those easy, sensory and so-very Sydney issues within the frangipani-scented air.

  • Flooring of Heaven: Submersive Research is on as a part of the Sydney pageant till 9 January.Masks are necessary when not swimming and also you want proof of vaccination and a QR check-in on the door. And based on the WHO, you can’t catch Covid from pool water.

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