Snow Maiden review – The Russian State Ballet of Siberia’s stilted fairytale

The Russian State Ballet of Siberia could also be based mostly 3,500 miles away, however you can say it does extra to advertise ballet within the UK than a lot of our personal corporations. That is its 18th UK tour, zigzagging throughout the nation with a small troupe of dancers, a reside orchestra and a bagful of classical ballets, principally the apparent (Swan Lake, Nutcracker and so forth) and one lesser identified story, The Snow Maiden.

To not be confused with The Snow Queen, it’s the Russian people story of a magical snow maiden who needs to reside and love amongst individuals, however when given the capability for human feelings, she melts below the solar. There’s loads of potential for a ballerina to discover the limpid fragility of her icy kind and emotional transformation, however Natalia Bobrova within the title position stays pleasantly emotionless all through (her dancing is completely good).

Georgy Bolsunovsky places in essentially the most dramatic effort as cocky service provider Mizgir, an entitled cad who picks a spouse out of a lineup of villagers however then drops her for the supernatural snow woman (shades of La Sylphide). When all goes awry, he finds angst and gusto in his grand allegro. And as his poor ex, Elena Svinko manages some elegant unhappiness alongside her pretty lengthy traces.

The choreography by inventive director Sergei Bobrov and Mark Peretokin is unspectacular, though it has some good lifts. There’s a common lack of brio – even on a small stage you may dance with vitality and pleasure – and the tragedy is slight. They’re hindered by the rating, fabricated from incidental music Tchaikovsky wrote for a play of the identical title (plus another selection extracts); it’s lacking the composer’s magnificent melodies and the magical affinity between music and steps. Within the first act particularly the sound is usually turgid, very a lot the temper of an orchestra halfway by way of an 84-date tour.

However the reality is, it’s an 84-date UK tour. You’re by no means going to get the Bolshoi doing that, or the Royal Ballet. At below two hours, Bobrov and co maintain issues tight, with good costumes and snowy CGI backdrop. When you take it for what it's, this can be a completely serviceable night on the ballet.

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