Richard Linklater lovingly crafts an in depth pop-cultural backdrop for his newest image, a return to rotoscope animation methods that he explored in Waking Life and A Scanner Darkly. Apollo 10½ attracts upon his personal background, constructing a portrait of a late 60s Texan childhood, colored in with every thing from the house race to well being and security violations, to snack meals packaging and the slowly encroaching crawl of hippy tradition. It's a time, he suggests, wherein the tv was part of the household. Sadly, it turns into clear that the movie is all backdrop, a boomer nostalgia journey with little in the way in which of precise story.
Post a Comment