Grease review – room-filling energy, nostalgia and first-rate tunes

If you don’t like the concept of becoming a member of a whole viewers mimicking John Travolta’s nasal “Naahhh-iiights” on the finish of the Grease Megamix (otherwise you don’t know what the Grease Megamix is), this musical might be not for you.

Grease is an train in nostalgia, whether or not that was the unique 1971 musical reminiscent of the Nineteen Fifties, or present audiences revelling in reminiscences of Travolta and Olivia Newton-John. Sandy’s transformation is perhaps Grease’s most iconic second, however change isn’t actually what this present is about – its world of unreconstructed sexism, innumerable pelvic thrusts and a heroine who solely beneficial properties forex when she dons tight leather-based trousers is just not being reinvented for the twenty first century.

Nonetheless, Nikolai Foster’s manufacturing is brightly entertaining and blasts out room-filling power in its huge dance numbers by choreographer Arlene Phillips, with tight formations of sharp, rhythmic 50s motifs. The forged sing the movie’s theme music like a manifesto, filled with rise up and disaffection, and this model does draw on Jim Jacobs and Warren Casey’s grittier 1971 script and rating. A few of these songs are forgettable, however Danny’s How Massive I’m Gonna Be presents a glimmer of self-awareness in spite of everything his cool-kid posturing. Mooning, a candy falling-in-love between two minor characters, showcases the hovering falsetto of Noah Harrison.

Dan Partridge and Jocasts Almgill in Grease.
Jumpy swagger … Dan Partridge and Jocasta Almgill. Photograph: Manuel Harlan

Star casting comes within the form and gentle pop voice of Peter Andre, who performs DJ Vince Fontaine minus the sleaze. Jocasta Almgill’s Rizzo has chew, presence and finally depth – she’s the actual feminine lead – however there’s little draw within the central love story as Danny and Sandy barely have something to do with one another. Individually, Olivia Moore as Sandy delivers a show-stopping Hopelessly Dedicated to You, and Dan Partridge’s Danny nails that jumpy swagger that Travolta did so properly, like an overexcited pet pretending to be a giant canine.

If there’s a theme right here, it’s the desperation of those robust youngsters from the mistaken aspect of Chicago’s tracks to seem invulnerable. The donning of protecting angle; security within the clique. For all that this present relies in caricature, there’s nonetheless some reality in that. However primarily, you come for the first-rate karaoke tunes.

Post a Comment

Previous Post Next Post