Mariah Carey sued for £16million over hit song All I Want For Christmas Is You 

Mariah Carey’s All I Need For Christmas is the topic of a lawsuit (Image: getty / youtube)

Mariah Carey is being sued for $20million (£16million) for copyright infringement of her festive hit music All I Need For Christmas Is You.

The singer, 53, launched the monitor in 1994 as a part of her album Merry Christmas, however she and her co-writer Walter Afansieff have been accused of copying the monitor.

The lawsuit, filed by Andy Stone on the US District Court docket within the Japanese District of Louisiana, alleges that the music was taken from one of many identical title that he co-wrote for Vince Vance & the Valiants in 1989 and by no means gave permission for it for use.

Within the paperwork, obtained by PA, Stone states that Carey and her collaborators ‘knowingly, wilfully, and deliberately engaged in a marketing campaign’ to infringe his copyright for the music.

It provides that the defendants additionally dedicated ‘acts of unjust enrichment by the unauthorised appropriation of plaintiff’s work and the goodwill related therewith’, and Stone is looking for damages of $20million (£16million). 

All I Need For Christmas Is You has change into probably the most well-known Christmas hits, with Carey’s Merry Christmas album additionally being the best-selling US Christmas album of all time, promoting greater than 15 million copies worldwide.

The monitor steadily reenters the charts across the festive season and has come to be one of many singer’s most iconic songs. 

She beforehand revealed her doubts at recording the music, telling Metro.co.uk and different press in November 2021: ‘It was very early on in my profession once I wrote and recorded All I Need For Christmas Is You, it was the primary vacation music I ever wrote.

‘And I’ll always remember being on this room, with this little keyboard, and enjoying round with it and writing the lyrics and shifting on and dealing with my then writing associate Walter [Afanasieff ].’

‘It was simply the second. At first I doubted it too. I used to be like, “Why would I do a Christmas music now? That is so early in my life and my profession,” however I’m so grateful that it did as a result of it got here out of a pure place.’

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