Beyonce’s Thique had been in production for eight years before seeing the light of day on Renaissance

Los Angeles, CA, Sunday, March 14, 2021 - Beyonce makes History with the Best E&B Performance winning 28 Grammys, more that any female or male performer, accepts the award for Best R&B Performance at the 63rd Grammy Award outside Staples Center. (Robert Gauthier/Los Angeles Times via Getty Images)Los Angeles, CA, Sunday, March 14, 2021 - Beyonce makes History with the Best E&B Performance winning 28 Grammys, more that any female or male performer, accepts the award for Best R&B Performance at the 63rd Grammy Award outside Staples Center. (Robert Gauthier/Los Angeles Times via Getty Images)
Beyonce’s Thique was a very long time coming (Image: Los Angeles Occasions through Getty)

Beyonce might need blessed us along with her Renaissance album solely not too long ago, however it seems one of many tracks has truly been within the works since 2014. 

Thique, which options on the brand new album, first started life in 2014 when producer Hit-Boy, who labored on Jay Z and Kanye West’s N****s In Paris, teamed up with Bey on two tracks. 

The primary of which turned the Nicki Minaj collab Feeling Myself which was launched that very same 12 months, with the opposite beat remaining on the again burner for years to come back, lastly turning into Thique in 2022. 

Hit-Boy revealed on Rolling Stone Music Now: ‘I needed to sit on that beat for eight years! That’s the way in which the sport goes generally. 

‘I’ve had loads of ups and downs within the sport and sure individuals will understand like, “Oh, the place’s Hit-Boy been? What’s Hit-Boy been doing?” 

‘However then I’m sitting on stuff like Thique that simply hasn’t materialised but. Y’all don’t even know the way forward I actually am… I’ve been holding onto legendary stuff, and there’s lots extra.’

Renaissance - album by Beyonce
Thique lastly made it onto Renaissance

Beyonce had initially give you a number of concepts for the beat however put it to at least one facet till Renaissance, including a separate beat for the primary 36 seconds, made by Megan Thee Stallion collaborator Lil Ju.

Hit-Boy additionally labored with Bey on 2019’s Bow Down, for which he took direct inspiration from N****s in Paris. 

He defined: ‘I used to be mainly attempting to make a N****s in Paris, feminine model. With that bounce, with that synth. 

‘Clearly you have a look at the lyrics, she’s speaking loopy, speaking rapper s**t. So simply to deliver that power out and go to her stadium exhibits and see the response is like, wow. The power I used to be attempting to convey actually went over.’

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