After Elizabeth: inside the 16 September Guardian Weekly

No matter whether or not one identifies as royalist or republican, it’s just about unimaginable to dispute the worldwide significance of Queen Elizabeth II, who died final week aged 96.

This week a particular version of the Guardian Weekly journal focuses on a lady who, in 70 years on the British throne – and because the head of 14 different states all over the world – turned synonymous with an period. Caroline Davies displays on the queen whose longevity was such that few individuals may even keep in mind a world with out her.

Then, after all, there may be the brand new king, Charles III. Having ready for many years for this second, what kind of monarch will he be, how will the world reply to him, and what does his ascent to the throne imply for the British royal household?

As Queen Elizabeth’s coffin started its journey from Scotland to London, Guardian reporters spoke to crowds lining the route. From Australia, Ben Doherty and Lorena Allam think about the republican query and the scars of empire.

Diplomatic editor Patrick Wintour and historian David Olusoga ask what the longer term holds for the Commonwealth with out its devoted figurehead. (We hope a Guardian Weekly dwell occasion on this topic, initially scheduled for this week, might be rearranged quickly.)

The iconography of one of many world’s most well-known faces is explored by artwork critic Jonathan Jones. As mirrored by our cowl design this week, the Queen’s visage turned a peculiar fixture of design classics starting from cash and stamps to Intercourse Pistols singles. What sort of a void will her loss of life depart behind?

And, a particular expanded Opinion part culminates in a unprecedented obituary by Stephen Bates on the lifetime of the passing monarch, considered one of whose most attention-grabbing feats was to “stay largely unknown – and unknowable”.

Maybe probably the most poignant ultimate notice comes from the author Frank Cottrell-Boyce, who co-scripted the Queen’s much-loved afternoon tea sketch with Paddington Bear.

In his phrases: “Essentially the most emotional second … is when the bear says: ‘Thanks, Ma’am. For the whole lot.’ Folks will ask: ‘What the whole lot?’ Properly, make your individual record. However I’m grateful for the best way she used the peculiar energy of her archaic function to permit us to glimpse, nonetheless fleetingly, that we share one thing good.”

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