This is the sound of Lou Reed and John Cale in a room, laying down demos for what would develop into a number of the Velvet Underground’s best-known songs. Right here, in splendid embryo, are I’m Ready for the Man and Heroin, plus a dozen extra authentic cuts; simply vocals and acoustic guitar, with occasional harmonica on prime. A recognisably nasal Reed introduces every tune with variations on “music and lyrics, Lou Reed”.
Their Bob Dylan cowl – Don’t Suppose Twice, It’s All Proper – units the tone. A lot of this compilation is closely in thrall to the folks period, and but Reed’s signature sound is unmistakable. Recorded on reel-to-reel, the demo served as an inexpensive method of proving copyright when he mailed it to himself. The envelope remained purposely unopened till it was discovered amongst Reed’s results in a storage unit. Beforehand unheard on every other archival launch, these variations genuinely add to his already appreciable fantasy. Pale Blue Eyes modified quite a bit between 1965 and its inclusion on 1969’s The Velvet Underground LP. A tune known as Males of Good Fortune would find yourself on Reed’s Berlin album, however it is a radically completely different people tune. Maybe sweetest of all is a doo-wop reduce, Too Late, that finds Reed and Cale larking about.
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