The Book Thief review – assured and courageous musical adaptation of global bestseller

When Liesel Meminger enters her neighbour’s library, the books flutter above her like doves. Because the crisp white pages shimmer on the cabinets, the lady breaks into track – a quantity known as In This Guide. It's an instance of how severely this adaptation of Markus Zusak’s magnificent bestseller takes one of many creator’s central themes: the ability of the printed phrase.

It's a energy that can be utilized for evil, because it was with each copy of Mein Kampf offered to a inhabitants bewitched by Adolf Hitler. And, in fact, it's a energy that can be utilized for good.

That's the case for Max Vandenberg, a fleeing Jew whose escape plan is hid in a replica of Hitler’s e book. And it's repeatedly the case for teenage Liesel, the eponymous e book thief, for whom tales are an imaginative launch, a solace in air raids and a software of resistance. Severe and acerbic, Bea Glancy (alternating with Niamh Palmer) is great within the function of a kid dealt the hardest of fingers within the hardest of instances.

To inform such a narrative as a musical is demanding. The slate-grey set by design studio Good Tooth by no means will get hotter than a muddy sepia. The lighting by Nic Farman is extreme. Ryan O’Donnell’s narrator would possibly appear to be a genial insurance coverage salesman in tie and raincoat, however he's Demise in disguise. As depressing strains of prisoners head to Dachau, we all know it can not finish effectively.

There are occasions if you really feel the pull of Broadway within the rating by Elyssa Samsel and Kate Anderson, however extra usually, they draw deftly on Zusak’s unique to push the story ahead. Their songs might be candy and harmonic however by no means lower than earnest.

The libretto by Jodi Picoult and Timothy Allen McDonald additionally sticks intently to the creator’s language and intent, though skipping by means of a lot of the e book within the first half makes the second half much less centered. Not so, although, within the closing shifting moments of Lotte Wakeham’s glorious manufacturing, assured and brave, when this grim story reaches one thing like a cheerful ending.

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